The Unicorn and the Donkey… or, human connection in an age of identity politics

2023 marked the hundredth anniversary of the original publication in German of philosopher Martin Buber’s hugely influential and very peculiar book, Ich und Du. Born in Vienna in 1878, the author was part of the Jewish intellectual cohort that was devastated by the Holocaust. He became both a prominent Zionist and a leading advocate of Arab-Israeli coexistence, until his death in Jerusalem in 1965. One of the peculiarities of his seminal book, however, is that while it addresses a particular historical moment, it is in no sense a political book. It has a pre-political, even pre-philosophical quality, and that’s what makes it just as relevant a century on.

In his introduction to the new centennial edition, Buber scholar Paul Mendes-Flohr helpfully makes a connection between Buber’s concerns in 1923 and the current moment: ‘an age in which human worth is ever-increasingly measured by economic utility, vocational skills, and professional and social status’. Then and now, such tendencies reduce individuals to useful objects rather than ‘fellow human beings in the singularity of their existential uniqueness’. It is the non-instrumental encounter between such unique beings that Buber explores in the book, and that he felt was increasingly difficult in modern society.

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The gender problem

A hundred years ago, the gender question was about equality, or the lack of it. Today, there is a broad consensus that the sexes should be treated equally, but increasingly agonised debate about what gender actually is. The transgender phenomenon is only the most extreme expression of uncertainty about the relationship between biological sex and gender as it is subjectively experienced by ourselves and others. More quietly and prosaically, many of us simply wonder from time to time if men and women are fundamentally different, or whether such differences as are apparent are no more than the legacy of a less equal society. Continue reading “The gender problem”

The ways they are like us all

That Existential Leap: a crime story, was in production in September 2016, when Lionel Shriver caused a stir by launching a scathing attack at the Brisbane Writers Festival on the concept of cultural appropriation. In particular, she rejected the idea that writers should not write about characters from backgrounds different from their own, that it is exploitative, for example, for a white, male, British author to write from the point of view of a 14-year-old Nigerian girl. As a white, male, British author who wrote much of That Existential Leap from the point of view of a young American woman of Indian origin, I had to agree with Shriver. Continue reading “The ways they are like us all”